Good Lazy Woman

A November Carol come political farce that confronts burnout, feminism, and the limits of political faith. When ghosts of campaigns past come knocking, one woman must decide whether doing nothing is protest—or surrender.

On the day America may elect its first woman president, Claire wants nothing more than to be left alone with her toast. But her retreat is interrupted by a series of uninvited guests: the ghosts of presidential campaigns past. As Victoria Woodhull climbs out of the fridge, Margaret Chase Smith emerges from a moving box, and Shirley Chisholm rises from the couch cushions, Claire is dragged into a messy reckoning with her own cynicism, ambition, and the impossible expectations placed on women who dare to lead.

Blending archival text, satire, and chaotic theatricality, Good Lazy Woman reimagines A Christmas Carol for a new political season—one where idealism curdles, history won’t shut up, and even cupcakes can feel like a moral referendum. It’s not about the need for empowerment, but instead exposing a system that’s perfectly designed to keep women from winning—and working out what it will take to finally break it.



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